| http://www.w3.org/ns/prov#value | - In many of his Sonatas we meet with a fantasia-like treatment hitherto unknown; and in his still valuable Essay ' On the true Method of playing the Clavier' (1753) he alludes over and over again to the necessity ' of singing as much as possible on the instrument.' ' Methinks,' he says, ' music ought principally to move the heart, and in this no performer on the pianoforte will succeed by merely th
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