| http://www.w3.org/ns/prov#value | - ng the NOTES in the mode. (2) In particular, one of the eight scale or melody types recognized by church musicians and theorists beginning in the Middle Ages, distinguished from one another by the arrangement of WHOLE TONES and SEMITONES around the FINAL, by the RANGE relative to the final, and by the position of the TENOR or RECITING TONE. (3) RHYTHMIC MODE. See also MODE, TIME, AND PROLATION. fi
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