| http://www.w3.org/ns/prov#value | - No surprise there: Before fleeing his native Germany for the less anti-Semitic terrors of Hollywood, Freund served as director of photography on some of the masterworks of German expressionist cinema, chief among them Fritz Lang's Metropolis and Paul Wegener's The Golem, the latter of which served as a template of sorts for Karloff's rigor mortis shamble in James Whale's Frankenstein.
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