| http://www.w3.org/ns/prov#value | - By contrast, pieces such as 10.2, 10.9 or 10.11, are often dark and ominous. 10.9 especially, with its dense sheets of muffled electronics forever morphing into new textural components, and 10.11, with its distant percussive noises, recall some of Sten???s most elusive atmospheric work as Deathprod.
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