| http://www.w3.org/ns/prov#value | - this juncture, it seemed imperative to limit the topic somewhat and start by studying the fault-lines along a more traditional fissure: the high-culture/ popular culture opposition, for example, or more precisely, the divide which is supposed to separate writers - men and women of letters - from such a stridently populist, easily demagogic and inherently ephemeral medium such as television.
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