| http://www.w3.org/ns/prov#value | - Ironically, for someone so reticent in speech, many of the titles he gave his works suggest a form of discourse, such as Conversation, for two cellos and piano, Op.74 (1962), Dialogue, for horn and piano, Op.77 (1965), Conversation Piece, for viola and guitar, Op.113 (1982) and the aforementioned Symposium, though the ???discussion??? involved in these pieces is of a musical nature and in this he
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