| http://www.w3.org/ns/prov#value | - While most writers have resolved the apparent conflict in the documentary evidence by assuming that the work was a collaboration between the two brothers, it has been argued that Dosso in receiving payment was merely acting in his capacity as head of the workshop and Felton Gibbons in his monograph of 1968 argues on stylistic grounds that the panel is the sole work of Battista (F. Gibbons, Dosso a
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