| http://www.w3.org/ns/prov#value | - The beginnings of his movements are often rather neutral or indistinctive (the opening of the Piano Quartet is an example), yet as they proceed they steadily gain strength and conviction in the weaving together of their themes and motifs: it???s as if Tovey needed initially to disguise himself, and only the process of development itself could release his considerable reserves of lyricism and expre
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