| http://www.w3.org/ns/prov#value | - While critics such as Ian Duncan have influentially argued that Scottish Gothic is centred around ???an association between the national and the uncanny or supernatural??? (p. 70), David Punter argues first, in his 1999 article that serves as a foundation for the field, that the formulation must ???remain under a certain erasure??? (p. 102) and later, in 2011, that he is no longer sure ???what suc
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