| http://www.w3.org/ns/prov#value | - The prototype from which virtually every work derives is a lost painting by a late- nineteenth-century French academician named Jean-Jacques Henner.1 In its iconography, style, and composition, Henner???s portrait was unexceptional, even quite conventional; nonetheless, his delicate rendering of her features was deceptively subtle and, as evidenced by the examples in this gallery, not easily repli
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