| http://www.w3.org/ns/prov#value | - The ending has been called lurid and implausible, so not the least pleasure of this issue is Fran??ois-Gildas Tual???s specially-written essay Turmoil and Mystery, which aligns Zemlinsky???s opera with Wedekind???s (and Berg???s) Lulu, Weininger???s infamous Sex and Character and other radical expressions of the Viennese zeitgeist in which woman is depicted not as man???s redeemer, but as the alie
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