| http://www.w3.org/ns/prov#value | - This formulation comes from an appreciation of orality and seeks to understand how issues such as performance, narration, translation, presentation, archiving, and intersections with similar and/or dissimilar accounts all come to constitute 'voice'.17 These are not factors that 'distort' the oral and its effectiveness as a historical source, as Vansina's work asserts,18 but rather are constitutive
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