| http://www.w3.org/ns/prov#value | - The preludes are free, evocative pieces recalling sounds, or imagery particularly favoured by the composer, for example his fondness for Prokofiev in Conversation, where the Hasapiko dance is intertwined with harmonic progressions ?? la Prokofiev; the March, echoing the French school, which held a special place in his heart, especially Satie; his love for his native Crete, manifested in Mantinada,
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