| http://www.w3.org/ns/prov#value | - This attitude prevailed throughout Europe for centuries; in 1713 the German musician Johann Mattheson likewise stated that, ???Now whether or why this or that tone is called a or b, chamber, choir-, or opera-pitch???this is a matter of no basic importance.??? As music historian Arthur Mendel put it, ???To musicians before 1750, the notes on the staff, and the names by which they were referred to,
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