| http://www.w3.org/ns/prov#value | - The film is at its best when the camera is moving, which it often is, whether following our hero through a jungle of Parisian legs and coat-tails during one of the film's many chase sequences, or through the clockwork catacombs that are the only home he knows, bequeathed him by his drunken Uncle Claude (Ray Winstone, back under Scorsese's direction after 2006's The Departed), dodging and spinning
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