| http://www.w3.org/ns/prov#value | - Max Beckmann, for example, was a powerful painter with a mordant sense of his own era, but among the last places a viewer should look for evidence of his best qualities are the large triptychs by which Beckmann set so much store and yet which are, like so many of his other later, symbol-laden, myth-suffused pictures, unrelievedly portentous.
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