| http://www.w3.org/ns/prov#value | - Sung in a deceptively reassuring G major, the self-constructed despair of the lyric chases itself around its own labyrinth (the long sequence in each verse where Karen sings a complex two-octave line over fourteen bars without pausing for breath), trying its worst to convince itself that giving up on life is the best option, but the pain can scarcely be concealed, which is why Tony Peluso's fuzz g
|
