| http://www.w3.org/ns/prov#value | - Much of the first act resembles a telephonic fugue, with the helpers taking the phones in turn, generating an often comic counterpoint of human eccentricity deepening ??? most uncomically ??? into pain. (One caller is sure he???s under siege from MI5; another, by the end of the conversation, may no longer be conscious.) The play may be principally concerned with the possibility of doing the decent
|
