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  • eproach, but with a sadness equal to that of the burnt villages earlier in the story.Most films rely on a big climax or trick ending to convey emotions or ideas -- Malick's images (throughout the whole film, but especially the end) seem to assemble themselves in your head, like a dream or hallucination, and exit through your heart.I think it is important to notice the difference between his first
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  • slantmagazine.com