| http://www.w3.org/ns/prov#value | - Developed from scans and factual photographs, these sculptures are biologically accurate but also bring to mind topical issues such as genetics and the manipulation of DNA. Each embryo or foetus appears as if it is emerging out of its raw material before our eyes, struggling in the manner of Michelangelo's Dying Slaves, sculpted in the 1520s for Pope Julius II's tomb in the Vatican. (A point Quinn
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