| http://www.w3.org/ns/prov#value | - Yet, the only thing closest to a point of uniformity is the bubbling analog (or analog-sounding) bassline that Giorgio Moroder brought to a surprisingly receptive pop-listening audience when he hooked Donna Summer up with the first major U.S. hit that was completely synthesized (save Summer???s transcendental vocals), ???I Feel Love.??? The song was an anomaly, sporting a sound that remained large
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