| http://www.w3.org/ns/prov#value | - He captures a lot of the visual stylings of Watchmen in this particular issues: most of the book is laid out in simple, nine-panel grid pages, and he has several shape-based transitions (on the final page we go from the round logo of Under The Hood to the front of the Owlship to the air filter of an engine to Mason???s face) and contextual visual flashbacks in individual panels based on the dialog
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