| http://www.w3.org/ns/prov#value | - He converted to Roman Catholicism in the late Twenties and during the Thirties became vaguely leftist, but religion more than politics drove his art, especially during and after World War II. In the Fifties, his music began to change, as he dropped the pastiche elements of neoclassicism and began to work in a more dissonant idiom, the violin concerto and the third symphony characteristic of his la
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