| http://www.w3.org/ns/prov#value | - He began with propositions for images, which became something else if they were translated into physical form by him or other people.He also liked the inherent impermanence of Conceptual art, maybe because it dovetailed with his lack of pretense: having started to make wall drawings for exhibitions in the 1960s, he embraced the fact that these could be painted over after the shows. (Walls, unlike
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