| http://www.w3.org/ns/prov#value | - He foregoes standard cinematic technique/storytelling criteria as he drops changing color filters over Bardot's introductory nude scene and compares the raging emotions of man against the widescapes of the still ocean and skies (as is seen in particularly breathtaking shots rotating around Greek statues with eyes painted in bright red against a backdrop of bluish white skies and a tortuous finale
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