| http://www.w3.org/ns/prov#value | - Musically, this sophomore album is not groundbreaking, but it feels more self-assured than the group's debut: the percussion packs a punch, the pedal steel conspicuously asserts itself, and the three-part harmonies sound mercifully richer than those on Hell On Heels, where the Nashville studio veneer occasionally makes a song such as Bad Example sound like an Alvin and the Chipmunks number.
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