| http://www.w3.org/ns/prov#value | - Once I had sampled the Adagio from the Concerto in G online, however, I was impressed: Here was a sensitive but utterly straightforward reading of that amazing movement, but without certain self-indulgences I have found in other readings. (Why, tell me, is it so fashionable to play the right-hand melody slightly behind the beat?
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