| http://www.w3.org/ns/prov#value | - However, the widespread evidence of idiosyncratic mestizo and local adaptations of the Iberian Baroque across the visual and verbal arts in the 17th and 18th centuries, but especially in rural religious architecture and painting, suggested that new, rebellious articulations had emerged that exceeded the Baroque???s original function as a repressive tool of colonialism and the Counter-Reformation.
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