| http://www.w3.org/ns/prov#value | - Saul Bass was a genius, and what stands out for me about those two is how well he times the images to the music: Bernard Hermann's nightmarish string-and-horn sections floating in tandem with Bass's geometric hallucinations, and Paul Glass's fragile, quiet chords acting as the perfect sonic accompaniment for Bass' ripped screen, both hinting at (but not revealing) the film's outcome. 28) Is there
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