| http://www.w3.org/ns/prov#value | - 28 Days Later is a prime example, because it nearly subverts the zombie metaphor by making the zombies an obstacle and making other humans the real monsters. (Rare is the movie where the respite from zombies is more frightening than fighting them.) It also paints them as victims, which gives them a sympathetic undertone, especially when they???re set up alongside a manor house full of soldiers int
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