| http://www.w3.org/ns/prov#value | - gaze, objectifying the male body?Dallamano's backround as a cinematographer is in evidence in the way he directs, with a particular emphasis on shots that position us distanced from the action through some sort of barrier - a window frame, a piece of ironwork, a fence etc. - or with one character looking in on another.The importance of voyeurism is further confirmed by several observational momen
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