| http://www.w3.org/ns/prov#value | - S. devotes most of his attention to letters, historiographic writing, coinage and architecture, all presenting images of the emperor that may well complement or contradict one another but, taken together, produce a multifaceted, highly political imago.1 S. sees the imago as a focal point in the communication between the emperor and his subjects, since it functioned as a sort of screen onto which a
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