| http://www.w3.org/ns/prov#value | - I begin by examining how the cinematography develops Hartley???s own use of light and dark imagery to evoke the politics and processes of memory; I then go on to consider how material objects, including dress, are used in the film to critique the class, imperial, and sexual assumptions of nascent Edwardian country-house society, by utilising recent scholarship on the relationships between costume
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