| http://www.w3.org/ns/prov#value | - In Pasolini's film, these ideas, which are both apparent and self-conscious ??? unlike in Sade (who despite his feeble attempts at ironic humor, such as calling us readers his dear friends, seems oblivious to what psychosexual Pandora's box he is opening) ??? are integrated into the dramatic structure (as we will see in the analysis section below).
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