| http://www.w3.org/ns/prov#value | - Using the two fixed FL lenses reinforced the idea of telling a story starting with a wide context shot then building it by moving closer, first with my feet and the 35mm to create the medium shots, then switching to 85mm for close-up of the faces, hands and action, including from the over the shoulder - eyes of the actor cut-away POV. The most difficult of the four views to pull off well with a
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