| http://www.w3.org/ns/prov#value | - The book is also well-organized, grouping its essays in four sections: i) understanding horror-pleasure, or why, and in what ways, audiences enjoy horror films; 2) theorizing the uncanny through the embracing of, or dissatisfaction with, Freud's 1919 essay The Uncanny; 3) representing psychoanalysis in theory and in particular films, such as Jacques Tourneurs Cat People (1942); and 4) charting n
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