| http://www.w3.org/ns/prov#value | - The appearance of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, especially in works that treat the prominent Victorian theme of the fallen woman, provides evidence that music's connection to both sin and redemption survived at least as late as the nineteenth century, and that, even more remarkably, it was translated fairly easily in
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