| http://www.w3.org/ns/prov#value | - Paradjanov (who, perhaps uncoincidentally, was an Armenian artist persecuted by Soviet authorities) fused with the blurred delineation between art and life that has characterized Kiarostami's spare and contemplative nomadic cinema, the film is a thoughtful modern-day allegory on the erosive and inhuman cycle of vengeance, intolerance, persecution, and violence.
|
