| http://www.w3.org/ns/prov#value | - Muses of Sicily (1966) for chorus, two pianos, wind and timpani, was a deliberate attempt at a simpler language, revolving around obvious tonal centres, and using texts from Virgil's Eclogues that invoke the ordinary people of Sicily, their dances and their lives (the sound of bells is prominent); the last of three sections sets Silenus's famous tale of the Creation.
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