| http://www.w3.org/ns/prov#value | - Noted film critic Thomson (Rosebud: The Story of Orson Welles, 1996, etc.) seems to have fallen victim to one of the occupational hazards of his profession: Apparently discontented with his lot, he has taken a lunge at creativity with this wildly uneven and unrelated gathering of pieces, many previously published in magazines such as Movieline and Film Comment.There is a labored fantasia on ``James
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