| http://www.w3.org/ns/prov#value | - African Studies scholar Sheila Petty notes, unlike other African filmmakers of the late 1960s and early 1970s whose films were structured around essentialist nationalist discourse focused on the binary opposition of African values versus cultural alienation, Mamb??ty sought to expose the diversity of real life.[2] According to critics like Petty, his films were an expression of an African sensib
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