| http://www.w3.org/ns/prov#value | - In act four, the Chorus's beautiful portrait of the eve of Agincourt promises a little touch of Harry in the night, but the king's surreptitious visits to his soldiers, which look like nothing so much as panoptic surveillance, result in quarrels with Pistol and Williams, a far cry from the beneficent inspiration that the Chorus describes (TLN 1817-36).
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