| http://www.w3.org/ns/prov#value | - Disney did not ignore this competition altogether: Ward Kimball and Charles A. Nichols's outstanding Toot, Whistle, Plunk, and Boom from 1953 cannot be anything other than a response to UPA's work, and the driving mentality of Disney's xerography years seems at least vaguely inspired by the intense lack of depth used by the other studio, which had slipped into tepid television work at the dawn o
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