| http://www.w3.org/ns/prov#value | - For the first time, Huston jettisoned arch repartee for the collusive innocence of polar opposites, a situation he continued to explore in such films as Moulin Rouge (1952, painter and whore), Heaven Knows, Mr. Allison (1957, marine and nun), and The Night of the Iguana (1964, defrocked minister and spinster).
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