| http://www.w3.org/ns/prov#value | - Such films as 'Ninotchka' (1939), 'Moscow on the Hudson' (1984), and 'The Russia House' (1990) refashion such myths by rhetorically orchestrating structures of society and history, gender and sexuality, and desire and consumption toward the manufacture of a democratic consensus that links the private body to the national body, or the fulfillment of private individuals to the fulfillment of the nat
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