| http://www.w3.org/ns/prov#value | - I first began to seriously consider vernacular photographs of dying and death in 2006 while researching the exhibition Reveries: Photography and Mortality, which I curated for the National Portrait Gallery, Canberra.2 Reveries was principally concerned with photography that related either to one's own death or the death of another person (usually closely connected to the photographer).
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