| http://www.w3.org/ns/prov#value | - Noting the divisiveness" that cultural and racial politics of the last decades of the 20th century have brought to jazz, Sudhalter seeks to redress the wrongs perpetrated by the racialized black creationist canon..., the continuing notion, especially held among chroniclers and critics, that white musicians, no matter how accomplished and influential, are, in [jazz historian] James Lincoln Collie
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