| http://www.w3.org/ns/prov#value | - And so it is little wonder that young Henry James, even by 1876 a respected critic, would pour a remarkable burst of energy and passion into his unusual review of George Eliot's last and most ambitious novel, Daniel Deronda; an unusual review because of its length and range and especially so because it takes the form of a dramatic dialogue, a literary form unknown, or at least extremely rare, in V
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