| http://www.w3.org/ns/prov#value | - And that the guilt, the fatalistic viewpoint, the themes of death and redemption, the ambivalent attitude toward women and family, the furtive sex and loe, the questioning of command and leadership (which is a kind of Jesuitical questioning of God)--all of these, so prevalent in his films--have their roots in his early Catholicism.
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