| http://www.w3.org/ns/prov#value | - However, where Berlage's structures tend to be invested in a kind of neutralised Romanesque detailing by the time he came to design the Beurs, the detailing of these two pioneer works of the Amsterdam school is far from neutral in tone, and draws from a variety of sources, including Art Nouveau in general and Toorop in particular, Expressionist painting and carving, de Groot's mathematical exercis
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